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Franz Marc
Bathing Girls (mk34)
1910
Oil on canvas
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Franz Marc
Horse in the Landsacape (mk34)
1910
Oil on canvas
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Franz Marc
Graing Horses i (mk34)
1910
Oil on canvas
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Franz Marc
Grazing Horses iv (mk34)
1911
Oil on canvas
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Franz Marc
Deer in the Snow (mk34)
1911
Oil on canvas
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Franz Marc
Weasels at Play (mk34)
1911
Oil on canvas
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Franz Marc
The White Dog (mk34)
1910-11
Oil on canvas
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Franz Marc
Yellow Cow (mk34)
1911
Oil on canvas
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Franz Marc
The Steer (mk34)
1911
Oil on canvas
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Franz Marc
Blue Horse i (mk34)
1911
Oil on canvas
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Franz Marc
The Large Blue Horses (mk34)
1911
Oil on canvas
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Franz Marc
Young Boy with a Lamb (mk34)
1911
Oil on canvas
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Franz Marc
Woodcutter (mk34)
1911
Oil on canvas
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Franz Marc
Shepherds (mk34)
c.1911-12
Oil on canvas
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Franz Marc
Two Horses (mk34)
1911-12
Tempera over Letterpress
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Franz Marc
Three Horses (mk34)
1912
Mixed media on paper
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Franz Marc
Two Horses,Red and Blue (mk34)
1912
Watercolor on paper
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Franz Marc
Red and Blue Horse (mk34)
1912
Tempera on paper
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Franz Marc
The Little Yellow Horses (mk34)
1912
Oil on canvas
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Franz Marc
Pigs (mk34)
1912
Oil on canvas
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| Franz Marc
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1880-1916 German
Franz Marc Locations
Franz Marc was born in 1880, in the German town of Munich. His father, Wilhelm, was a professional landscape painter, and his mother Sophie was a strict Calvinist. He began study at the Academy of Fine Arts, Munich in 1900. In 1903 and 1907 he spent time in Paris and discovered a strong affinity for the work of Vincent van Gogh. Marc developed an important friendship with the artist August Macke in 1910. In 1911 he formed the Der Blaue Reiter artist circle with Macke, Wassily Kandinsky, and other artists who decided to split off from the Neue K??nstlervereinigung movement.
He showed several of his works in the first Der Blaue Reiter exhibition at the Thannhauser Galleries in Munich between December 1911 and January 1912. The exhibition was the apex of the German expressionist movement and also showed in Berlin, Köln, Hagen, and Frankfurt. In 1912, Marc also met Robert Delaunay, whose use of color and futurist method was a major influence on Marc's work. Marc became influenced by futurism and cubism, and his art became stark and abstract in nature.
His name was on a list of notable artists to be withdrawn from combat in World War I. Before the orders were carried out, he was struck in the head and killed instantly by a shell splinter during the Battle of Verdun (1916).
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